Wednesday, February 15, 2012
Sunday, February 5, 2012
Mother Contemplates Divorce at Creek with Son
Mother Contemplates Divorce at Creek with Son
Red-haired boy in pith helmet: “Shard of pottery forgotten by time. Draw me mom, draw a drawing of me.” Mother perched at edge of creek looks up from her reading.
“Lookit this rock mom,” Walking through creek, stamps his feet on a sandbar, now wading over rocks into the shimmer and splash.
“Lookit mom, something man made, whaddya suppose it is?” Ducks under a fallen tree, roots exposed like spokes.
“Lookit this rock,” Throws it. Heavy splash, ripples percolate. Skips a flat stone, 2 skips.
“See, isn’t this such a good idea mom? Lookit this skipping stone, it’s practically perfect in every way.” Skips 3 times, then bends to creek, comes up.
“Lookit this rock mom.”
Mother looks up says:
“It’s leopard skinned.”
“Way to be a poet mom. Hey! Got my first decent skip. Dog truffle hunts under Mother’s chair, nose sandy, snorts, digs. Splash, clack of two rocks, boy examining intently.
“It’s really light too . . . lookit this one.” Creek eddies to the left, ferns sprout from the embankment.
“Oh my god, lookit this mom, it’s quartz, it’s pink, are you writing this down? It’s pink. You’re such a writer.” Pause, boy ankle deep, contemplating rocks. Looks up.
“I’m glad it’s just us two here mom, cuz we get to keep all these treasures.”
Labels:
contemplation,
divorce,
extinction,
mother son relationship
Thursday, January 12, 2012
I Race a Train
I Race a Train
I race a train to erase the day
tough graffiti, I tap my foot to the chuga-chuga,
count each day unsolved like the box cars,
which are full of the lumber
we used to call trees.
I race clouds in canals next to the harbor,
watch seabirds watch
frigatebirds dive into toxic tides.
I race rows and rows of lettuce,
Lettuce rises like a choir of voices: steam
above each head, sound
is drowned
by the thwack-thwack of a helicopter rotor
hiss and spray over the fields,
I cannot outrace this fog
of filth,
and try not to breathe as I enter my house.
Outside my window
a valley of wind and lettuce
in a sea of earth.
Off in the distance
a helicopter
no bigger than a spoon is headed toward my table.
Photo Credit: Stewart Ferebee
Labels:
farm workers,
organic farming,
pesticides,
sealife,
stress
Wednesday, December 28, 2011
In Salt Water
In Salt Water
The sea. He came up from the sea. His voice green, water tones, splash of froth, spray, and crash, crash. I’d swim on my back and listen, legs and arms out, listen. Tentacles tipped. A clown fish with intelligent eyes looks into my eyes. Questioning. A hatchet fish frightens me so I swim on.
And then he’d speak. I’d often cut my feet on his words sharp like urchins, and get pinned in by the tide. My footprints a lexicon of glyphs on rocks, slap, smack, splat.
He would leave me then and return. Where eels arrow their way across fields of vision, I’d kayak, and cast a net to catch the giant fish. But no one goes as deep as he does. But stay in the shallows, where light refracts and turns the ocean blue. The sun cannot reach his home, only elongated eels to conduct electricity. I almost caught this fish once. But capsized, swallowed salt water, coughed up foam on the shore like some wide-mouth gulper eel, sucked air, blacked out, woke up aglow, coughing, choking, coughing, until I coughed up a lantern fish, death-twinkle.
Labels:
death,
dreams,
Ocean,
prophets,
prosthelytism
Friday, December 16, 2011
A Triangle of Palm Fronds In the Window Means it's Morning
A triangle of palm fronds in the window means it’s morning
A colony of souls
awaken
to a murder of crows fighting over coconuts.
Boats waffle blue waves.
Signs say:
Noel Coward fucked in this hotel.
And white sheets froth the bed.
Somerset Maugham
masturbated
here to the batik face of Gauguin.
You use a straw as a snorkel
to navigate the day—
A cruise ship cuts through the champagne cake
but this is the year of no cake,
only salt and
the one tooth left a ravenous dog.
Come, dogs, a triangle of palm fronds
in the window
means it is morning
Labels:
Buddha,
global capitalism,
islands,
Paul Gauguin,
Somerset Maugham,
Thailand
Wednesday, November 9, 2011
“You can’t keep me from drowning if it’s what I choose”
“You can’t keep me from drowning if it’s what I choose.”
your voice is an osprey’s
plunge
to catch a fish.
The answer of nests
on telephone poles.
The blue lilt of my sigh,
on this kayak
slapped by the sea, I tilt.
At the last gulp of salt water:
my stubbornness
a hammerhead
circling
a vortex
buoys me up
into the day’s
long light.
slap my silver
self on board,
ungaffed
and gasping--
Labels:
love relationships,
sea imagery,
suicide
Monday, November 7, 2011
East Coast Release Party was Amazing!
On November 7th Ping-Pong magazine once again took NYC by storm with its annual release party, this year it took place at the One and One Lounge on the Lower East Side.
Much fun was had by all!
http://www.facebook.com/media/set/?set=a.2604702715364.2145391.1188755942&type=1&l=8554b56035
Much fun was had by all!
http://www.facebook.com/media/set/?set=a.2604702715364.2145391.1188755942&type=1&l=8554b56035
Subscribe to:
Posts (Atom)







