Friday, May 17, 2019
Sunday, July 22, 2018
The Homestead Review 2018
Featuring poetry by:
Featuring poetry by:
Richard Allen Bunch
Richard King Perkins II
Danny Earl Simmons
William A. Greenfield
Maria Garcia Teutsch
Loretta Diane Walker
Patricia L. Hamilton
Lynn M. Hansen
To purchase a print copy go here: Homestead Review
Thursday, December 14, 2017
Haiku for Arctic Poppies
This is part of a 12 poem series I wrote leading up to the opening of the Arctic National Wildlife Refuge for drilling which happened as part of the Republican Tax "Reform" bill, which effectively serves the interests of the upper 1% at the expense of the other 99%. The inpending loss of habitat and extinction of species already in place due to the climate crisis will be heightened with this new expansion into fossil fuel dependency. I am now working on these poems which were written and posted on the same day--so still in their infancy. I have left this one up for you, as well as the last poem which can be found on my blog here: marialoveswords
Arctic poppies bloom
against a blue mountain range
The Republican Congress has attached a provision to the tax “reform” bill which will allow drilling in the Arctic National Wildlife Refuge. To read more go here: The Independent
Thursday, September 28, 2017
Ping-Pong Free Press' 4th Annual Speech is Not Free gathering: Writers Against Fascism and for Freedom of the Press. Ping-Pong Free Press and the Henry Miller Memorial Library are proud to feature readings by writers who oppose fascism and dictatorships, and who are for freedom of the press and against totalitarian notions of state-sponsored propaganda.
Ping-Pong Free Press and Poet Republik Ltd. will also feature readings from their newest releases: Occasionally, I Remove your Brain Through Your Nose, by J. Hope Stein; Invitation to a Rescue, by Kate Lutzner; and Medeaum, by Jameson O'Hara Laurens, with presales of No Ledge Left to Love, by Dylan Krieger.
Readers include: Brenda Coultas, Joanna Fuhrman, Janet Hamill, Kate Lutzner, Jameson O'Hara Laurens, Shelley Marlow, Eleni Sikelianos, Pamela Sneed, J. Hope Stein, and Maria Garcia Teutsch.
Howl! Happening: An Arturo Vega Project
6 East First Street (between Bowery & 2nd Avenue)
New York, NY 10003
Thursday, June 1, 2017
|Carolyn Mary Kleefeld|
|Elliot Ruchowitz-Roberts, has a new collection of poems, White Fire published by Ping-Pong Free Press|
Saturday, October 29, 2016
Calaveras (literally, sugar skulls,) are traditional satirical Mexican poems published on and around the Day of the Dead (Dia de los Muertos). The celebration of the day of the dead predates the independence of the countries in North America. Something native here, this idea of the dead living amongst the human. B-waaaaaahhh. Below you can read a calavera in Spanish about Donald Trump, everyone's favorite meerkat. Feel free to add your calavera here!
The Calaca of a Vaquera
(The Skeleton of the Cowgirl)
Not a tequila swilling,
but something pre-Columbian,
both creator and destroyer.
A molcajete grinding,
horseback riding Calaca.
Hot the pepper,
cool the salt,
when she licks the dust
from your bones.
© Maria Garcia Teutsch
Calavera for Thelonious Monk
Play asymmetrical swing
hep to the jive.
Cherubim don't let fly
Maybe Bird and Dizzy
Can take it high.
River Atwood Tabor
Donald Trump te lo aseguro
Le dijo la calavera
Que no vas a hacer el muro
Porque una hirviente caldera
Rebosante de cianuro
En el infierno te espera.
Y por lo tanto, te auguro,
Que todo buen mexicano
Predecirá tu futuro
Que allá en un lugar lejano
Por tu discurso tan duro
Se te va a podrir el: anillo periférico.
Donald Trump I assure you
He told the skull
You will not make the wall
Because a seething cauldron
Brimming with cyanide
In hell awaits.
And therefore, I predict,
Every good Mexican
It will predict your future
That there in a faraway place
For your speech so hard
You're going to rot on: beltway.
Calavera for Kauai
The ancients speak through Pele’s children,
scarlet roosters who reprimand pushy Nene geese,
chase tiny mourning doves into hibiscus groves.
The jagged silhouette of a sleeping giant
lifts volcanic hills, sprouts ghostly plumeria.
Steep Na Pali coastline protects royal bones.
Kauai sneezes silver rain,
scatters battalions of wandering banyan.
Poetry spills from belligerent clouds.
Tuesday, September 27, 2016
October 1st, 2016 at The Henry Miller Memorial Library
Come join us in a benefit for Big Sur’s own literary press: Ping-Pong Free Press, published by the Henry Miller Memorial Library. The evening will feature a poetry reading by Brenda Coultas; a staged reading of Henry Miller and Anais Nin’s more salacious writing entitled Miller Out Loud! featuring local actors portraying the roles of Henry, June, Anais and Rimbaud. Chicago musician and Library friend extraordinaire, Al Rose, who just dropped a critically acclaimed CD entitled, Spin Spin Dizzy will close out the evening with a musical set featuring songs that put the free in free speech. Please join us in this celebration, because we believe that without free speech there can be no human rights. Doors open at 6:30, program begins at 7:30.
Poetry Reading by Brenda Coultas
Miller Out Loud! staged reading
Al Rose in performance
Brenda Coultas is the author of four poetry collections, including The Tatters (Wesleyan University Press, 2014), The Marvelous Bones of Time (Coffee House Press, 2008), and A Handmade Museum (Coffee House Press, 2003). Her honors include a New York Foundation for the Arts fellowship and residencies from the Lower Manhattan Cultural Council, the Emily Harvey Foundation in Venice, Italy, and the Millay Colony for the Arts.
Al Rose is a striking songwriter and musician with a unique and powerful vision that continues with his seventh and latest release (2016), “Spin Spin Dizzy”. His previous albums have received extensive airplay on AAA and Americana stations throughout the US along with a bevy of critical praise. He is a mesmerizing transformer when performing live as a solo or with any number of his band, The Transcendos, in any configuration. This drives the songs each night, but the songs have always been what drives the musicians in what The Chicago Tribune has called “one audaciously entertaining ride”.
Ron Genauer is an optometrist who has been involved in community theatre for many years. Some of his favorite roles have been Gelman, in Arthur Miller’s “Broken Glass”, the Player, in Tom Stoppard’s “Rozencrantz and Guildenstern are Dead”, and Charley, in David Mamet’s “Speed the Plow.”
John Dotson is a writer/producer/director/multi-media artist with Carmel Bay Players. He also works with The Seventh Quarry Drama Group of Swansea, Wales. John’s first acting was in excerpts of Shakespeare directed by Charlotte Perry at Santa Catalina School. He performed at the Forest Theater in The Hollow Crown, directed by Marcia Hovick, and in Robinson Jeffers’ Medea, directed by Nick Zanides. At Cherry Hall in Carmel, John performed Willie in Beckett’s Happy Days, directed by Conrad Selvig. John’s three-act play, It’s Always Something, directed by Nancy Pridemore, was staged in Kingsport, Tennessee, his hometown, in 2001. He then wrote and played the leading role in Without Why, directed by Conrad Selvig. With Lisa Maroski, John has written two plays, Touching Distance and Dearly Departing, performed in the US and at the Dylan Thomas Theatre in Swansea.
Susan Roether Zsigmond (Director) is a writer and film maker. She is a friend of the San Francisco Library; North Beach Citizens: American Film Institute; The Actor’s Studio Playwrights Unit; and the Mecahnics Institute Library and Chess room. Her recent novel “Our Lady of West Hollywood” was listed among “Best of the Independent Press, 2014” by Kirkus Review. Susan is also a member of the board of directors of the Henry Miller Memorial Library.
Maria Garcia Teutsch (Producer) The Revolution Will Have its Sky, won the 2016 Minerva Rising chapbook competition, judge: Heather McHugh. She is a poet, educator and editor. She has published over 20 journals of poetry as editor-in-chief of the Homestead Review, published by Hartnell College in Salinas, and Ping-Pong journal of art and literature, published by the Henry Miller Library in Big Sur, California. She teaches poetry and creative writing online as a member of the faculty of Hartnell College. She serves as president of the board of the Henry Miller Memorial Library, and is the founder and EIC of Ping-Pong Free Press.
Deidre Mccauley has been doing theatre for over 50 years. In Philadelphia she began at Old Academy Players following in her mother’s footsteps onto the stage.
She’s performed at Western Stage, Magic Circle Theatre, The Golden Bough, Outdoor Forest Theatre and Carl Cherry Center for the Arts. Recently she starred in a film called “Laces” which debuted at the Monarch Film Festival. She is part of The Actor’s Collective which is a group of actors who love to fly without a net.
Marnie Glazier is a writer, theatre artist and educator. She holds an MFA in Dramatic Writing, and a PhD in Theatre and Performance Studies. She has directed a number of productions – professional and academic – has taught Theatre, Writing, and Communication Studies for more than ten years, and currently serves as Theatre Faculty Lead at Hartnell College in Salinas. Her scholarly writing has been presented at numerous conferences and published in Laconics and the Texas Theatre Journal, and upcoming performances include: Transpiration, at the American Society for Theatre Research Conference this fall in Minneapolis, MN. Her work is deeply embedded in social practice/physical/visual theatre, ecology, and ecofeminism.
River Atwood Tabor is a poet, photographer, philosopher and other things that begin with the letter “p.” At 20 years of age, he has helped found a press, published a book of poetry, and traveled to 5 countries, and that’s just in the past year.